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Primary members Florian Schneider and Ralf Hütter met as classical music students at the Düsseldorf Conservatory, originally teaming in the group Organisation and issuing a 1969 album, Tone Float, in the U.K. Kraftwerk emerged from the same German experimental music community of the late '60s that spawned Can and Tangerine Dream. Although new material has been in short supply since the group's second decade of activity, they've continued to enhance their legacy with innovative live performances and several catalog projects. Kraftwerk's enduring influence, particularly through '70s albums such as the unlikely cross-continental hit Autobahn, Trans-Europe Express, and The Man-Machine, and 1981's Computer World, cannot be overstated. developments such as electro, techno, and house. The Düsseldorf pioneers' self-described "robot pop" - hypnotically minimal and obliquely rhythmic, and presented since the late '70s as the work of automatons - has resonated in virtually every development of contemporary pop since the late 20th century, including David Bowie's Berlin trilogy, synth pop, and Neue Deutsche Welle, as well as later U.S. Kraftwerk's radical and prophetic approach to purely electronic pop music has been referenced by an extraordinary number of artists from the mid-'70s onward.